But there is so much more to see than mines. A special experience was to go out to the Living Desert Reserve at sunset to view the stone sculptures. This Aztec sun god with its keyhole seems to be the favourite. It’s a place of utter tranquility, just entrancing as the sun sets and casts a vibrant orange glow, which gradually turns to grey-mauve as it sinks below the horizon. It was one of the most special places I’ve ever painted! And I was glad to have my Schminke transparent orange with me!
Another special experience was visiting Kinchega wool sheds about 100 km out of Broken Hill. Built in 1875, they’re so remote and a real step back into Australia’s pastoral heritage. In 97 years of operation 6 million sheep were shorn here. If the boards could talk! You can’t help but marvel at the tenacity of those early settlers. How did they survive the remoteness. We were there on a 38 degree day but at least we had an air-conditioned car to travel in
We also stopped where explorers Burke and Wills’ expedition camped on this river bank on their quest to cross Australia from Melbourne in the south to the Gulf of Carpentaria in the north, as the signage on the tree indicates. Water levels are currently very low and Broken Hill is facing another water crisis as Menindee Lakes dry up. The searing heat of the day came through in the parched colours.
On my last morning I couldn’t resist going to Junction Mine, which I’d spied the day before on the way to Kinchega. I just loved its strong lines and shapes, along with the rust. I drew in the early morning before breakfast because the forecast was for another stinking hot day.
Looking back through my sketchbook I notice how much brown I used on this trip, not generally a favourite of mine, and it was interesting catching the train back on the long journey home, watching the greens gradually appear and the landscape become more lush as we neared the coast. It was a wonderful experience and I look forward to more trips to the outback. It made me feel proud to be an Aussie!